Art and Craft單語(yǔ)例句
Art and Craft的翻譯1. All reflect the superb craftandart value of porcelain at its peak time in China.
2. The artandcraft of paper cutting has long been a tradition in China.
Art and Craft雙語(yǔ)例句
1. Fruit, vegetables and meat can be found in the basement; on the second level is the place for spices and dried goods; while household wares, clothing, artandcraft is on the third level.
在地下室可以買(mǎi)到水果、蔬菜和肉類(lèi)；第二層出售香料和干貨；而家庭用品，服裝，藝術(shù)和手工藝品在第三層。
2. Art and Craft
2. In my craft or sullen art Exercised in the still night When only the moon rages And the lovers lie abed With all their griefs in their arms, I labour by singing light Not for ambition or bread Or the strut and trade of charms On the ivory stages But for the common wages Of their most secret heart.
在平靜的夜里施展，當只有月亮在發(fā)怒而戀人們躺在床上抱著(zhù)他們所有的悲苦，我在吟唱的燈光下潛心于我的技藝或沉郁的藝術(shù)，不是為了抱負或面包，也不是為了在象牙舞臺上賣(mài)弄風(fēng)騷，昂首闊步，是為了他們最隱秘的心這尋常的薪金。
3. If something genuinely excites her and she wants me to experience it, I willingly involve myself in whatever it may be: a particular type of art, a craft project, a yard project, whatever.
如果有什么真的打動(dòng)了她，而且她希望我能用豐富的經(jīng)驗指導她，我樂(lè )于參與，不論是什么：一種特別的藝術(shù)，手工藝，園藝，無(wú)論什么。
4.
4. The space has been given another meaning when some of the artists use it as the show medium for artcraftand treat it deliberately as a part of their portfolio. So, at this time, the space is quite different from the previous visual substantial space. People add new meaning which is beyond the real existing stuff with a traditional meaning. The space is a key factor in the portfolio.
當一些藝術(shù)家把空間作為藝術(shù)品的展示媒介，并有意將其歸為作品的組成部分時(shí)，空間在某種程度上被賦予了另外的意義，它有別于單純視覺(jué)上的物質(zhì)空間，傳統意義上的空間持有了一種超出物體客觀(guān)存在以外的意義，空間是作品不可或缺的重要因素。
5. Art and Craft
5. Some of Oracle's words and made a comparison table to study the fine time; In Division E Large FANG Ding's home furnishings, carefully photographed, often feel that the art of bronze casting, then sighed ancient craft with amazing wisdom, we find that many people today from the thousands of practice years ago, all the basic shape, but with the development of the times, we have more accumulation and conditions, so the entire community can progress and development, of course, this period can not be separated from our people today are more clever and Innovation
還學(xué)了一些甲骨文字，并拍了對照表，沒(méi)事的時(shí)候學(xué)習、研究一下；站在司母戊大方鼎的陳設窗前，細細照相，感受那個(gè)時(shí)候青銅器鑄造的精深工藝，感嘆古人那時(shí)的驚人的智慧與手藝，不禁發(fā)覺(jué)我們今人很多的工藝實(shí)際上在幾千年前都已基本成形，只不過(guò)隨著(zhù)時(shí)代的發(fā)展，我們有了更多的積累和條件，所以才有了整個(gè)社會(huì )不斷的進(jìn)步與發(fā)展，當然這期間也更離不開(kāi)我們今人的聰明與創(chuàng )新！
6. In the design aspect, besides maintained the smooth line of cheongsam, clothing design masters retained its rigorous structure, do not have any nonessential accessories such as belt, button-fastening loop, appendix bag and so on; in craft aspect, abbreviating the shoulder part, useing the decoration flower and embroidery, all these things enhances the skin texture effect; structurally, not only adopting the pipa front, the pleasant lapel, the low lapel, the hich collar, the low collar, even on collar, but also involving its sisters art, such as drawing, to make decorations for cheongsam. Those cheongsam on which drown flowers, birds, and makeups in Peking opera, are exotic and elegant. Graft the drawing onto the clothing design and improve the originally structure which is insufficiently comfortable, the new style cheongsam become a marvellous achivement on the international clothing stage Moreover, the production technology innovation, the technical process improvement, the new material use, all of these has poured the new blood into the Chinese dress development.
在款式方面，除了保持旗袍流暢的線(xiàn)條外，服裝大師們在設計剪裁時(shí)，保留旗袍結構嚴謹，線(xiàn)條流暢，沒(méi)有任何不必要的帶，袢，袋等附件的特點(diǎn)；在工藝上采用收肩，飾花，穿珠片，刺繡等手法，加強肌理效果，在構造上，采用琵琶襟，如意襟，低襟，高領(lǐng)，低領(lǐng)，無(wú)領(lǐng)等，同時(shí)又把繪畫(huà)等姊妹藝術(shù)也作為旗袍裝飾的手段，那些畫(huà)有花，鳥(niǎo)，京劇臉譜等圖案的旗袍，不僅設計新巧，而且風(fēng)格典雅，富有韻味，把服裝和繪畫(huà)融為一體，打破了原來(lái)穿著(zhù)不夠舒服的構造，使之一展新容，成為國際服裝舞臺上的奇葩。
7. I am especially interested in Chinese artandcraft, such as jade carving, ivory carving, wood and bamboo carving as well.
我對貴方的工藝品特別感興趣，如玉雕、象牙雕、木刻和竹刻等。
8. Dress craft course is the confluence of theory and practice, it is the confluence of artand science and technology, it is the main component that dress designs, be structural design is outspread with development.
服裝工藝課程是理論和實(shí)踐的融合，是藝術(shù)和科技的融合，是服裝設計的重要組成部分，是結構設計的延伸和發(fā)展。
9. Art and Craft
9. As one of the largest foreign trade companies in Jinzhou City, this company exports various glass products glass flower, ashtray, statues, candle stand, fruit, animal, fish, vase, fruit plate, ground glass artandcraft works, ceramic products handicraft works, tableware, tea set, hanging plate, andartandcraft works made from other materials such as resin, wood, straw, stone, jade, and etc.
本公司是專(zhuān)業(yè)從事玻璃，陶瓷和工藝品的進(jìn)出口業(yè)務(wù)的外貿公司，是錦州市最大的進(jìn)出口公司之一，產(chǎn)品包括玻璃制品中的手工藝玻璃花，煙缸，丑人，燭臺，水果，動(dòng)物，魚(yú)，吹制的花瓶，果盤(pán)，各種水具，各種磨砂玻璃工藝品，陶瓷產(chǎn)品包括工藝陶瓷，餐具，茶具，掛盤(pán)等，工藝品有各種樹(shù)脂，木制，草編，石刻，玉雕工藝品等。
10. The main products are: woven, knitting, weaving, and other recreational hook rod, denim clothing and fashion as the main vector, the integration of modern tie-dye, garment dyeing, jeans, three-dimensional folds, rubbing brandy carving, embroidery, printing, printing Dyeing and finishing techniques, such as art formed with distinct personality characteristics of leisure craft clothing lines.
主要產(chǎn)品是：以梭織、針織、機織、勾棒等休閑、牛仔服裝與時(shí)裝為主要載體，整合現代扎染、成衣染色、牛仔、三維褶皺、拓印雕拔、繡花、印花、噴繪等藝術(shù)染整工藝技法而形成的具有鮮明個(gè)性特色的休閑工藝服飾品系。
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11. The silk person art is the palace art, may trace the Northern Song Dynasty years, in the history although has each kind of fine arts person, but all over the body uses the silk, the silk, the silks manufacture three-dimensional fine arts person artware from the head to the foot, is in in the traditional manufacture foundation, by and so on Mr./Mrs. Ge Jing An passes through epeatedly develops, forms to the beginning of 50's, and gradually formed one set of integrity, the standard manufacture procedures and the manufacture craft.
絹人藝術(shù)是宮廷藝術(shù)，可追溯到北宋年間，歷史上雖有各種美術(shù)人型，但從頭到腳通體采用絹、綢、帛制作的立體美術(shù)人型藝術(shù)品，是在傳統制作的基礎上，由葛敬安等老師經(jīng)過(guò)反復研制，于五十年代初形成的，并逐步形成了一套完整、規范的制作程序與制作工藝。
12. Suddenly art glass Frosted glass bottle with gilt to craft delicate, well-known, may, upon request, to stay in Frosted bottles a variety of window and language patterns (Group tincture four emperors bottles, Gujing Gong's Caocao bottles, their Frosted technology are our factory processing), subject to the universal praise of customers.
驀然藝玻的玻璃酒瓶蒙砂與燙金，以工藝細膩，制作精良而著(zhù)稱(chēng)，可根據要求在蒙砂瓶上留出各種窗口和文字圖案（津酒集團的四大帝王瓶，古井貢的曹操瓶，其蒙砂工藝均為我廠(chǎng)加工），受到客戶(hù)的普遍贊譽(yù)。
13. On the one hand, a particularist view of teaching skills as context-specific responses is liable to give hostages to the fortunes of those who claim that, since the art or craft of teaching rarely if ever involves the application of general rules and principles, it can only be learned via the hands-on school experience which renders college training largely redundant.
一方面，一個(gè)particularist鑒于教學(xué)技能方面的具體對策，即屬給人質(zhì)的命運，這些誰(shuí)主張，既然藝術(shù)或工藝的教學(xué)，如果以往很少涉及的應用一般規則和原則，它只能通過(guò)經(jīng)驗教訓的手中，對學(xué)校的經(jīng)驗，使學(xué)院的培訓基本上是多余的。
14. The ancient Greeks and Romans had no conception of what we call art today, in that time what they regarded merely as a craft or specialized form of skill.
在西方古希臘羅馬時(shí)代，沒(méi)有今天我們所謂的藝術(shù)，在其時(shí)大都是在指技巧或技術(shù)方面的事。
15. Art and Craft的解釋
15. The design used in the indigenous artandcraft of this tribe is unique.
這個(gè)部落自己生產(chǎn)的工藝品的設計很獨特。
16. Foshan folk arts, their own characteristics, through cutting, engraving, flutter, plastic, rolling, casting, painting, sticking and other craft techniques to produce a paper-cut, bar-be, Lantern, Autumn (including paper flutter, sculpture, carving, stick puzzle, cast plastic, etc), woodblock New Year pictures, paintings and dozens of works of art.
佛山民間藝術(shù)，各具特色，通過(guò)剪、刻、撲、塑、扎、鑄、繪、粘等工藝技法，制作出剪紙、扎作、彩燈、秋色（包括紙撲、雕塑、雕刻、粘砌、鑄塑等）、木版年畫(huà)、書(shū)畫(huà)等數十種藝術(shù)品。
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17. What kind of artandcraft you know?
什么樣的藝術(shù)和手工藝你知道嗎？
18. Art and Craft的近義詞
18. During the process of choosing theme, the thesis deepens the theory ofgraphic language in glass art, and meanwhile, combines with practice toanalyze craft, conception, use, and material character of plate glass by someactual data and typical cases. Finally, the theme on reasonable design of plateglass is put forward.
論文通過(guò)一定的實(shí)驗數據與典型范例來(lái)對平面藝術(shù)玻璃在加工工藝、設計觀(guān)念、應用形式、材料的優(yōu)勢與局限等方面進(jìn)行分析與比較，并提出有關(guān)平面藝術(shù)玻璃合理化設計的觀(guān)點(diǎn)，從而使理論的表述與現實(shí)的狀況之間能夠相互對照和印證。
19. Being specialized in the export of Chinese artandcraft goods, we express our
我們專(zhuān)門(mén)出口中國工藝品，愿與貴方開(kāi)展這方面的業(yè)務(wù)。
20. The craft adoption of the lacquer ware creation of our company, draw, hang up, engrave, fill, Diao, Lou, whet, inset, Qian's etc. be various skills and have even, bright, thin, evenly, gorgeous, friendship of art performance effect.
本公司漆器制作工藝采用涂、繪、勾、刻、填、雕、鏤、磨、鑲、嵌等多種手法，具有平、亮、細、勻、艷、雅的藝術(shù)表現效果。